To most this is a window. To an artist it frames the landscape in ways that you might not have considered. A single pane window offers a broad view taking in the entire landscape. Segmenting it into 4 sections creates a simple way to check the viability of a single composition–a handy ready-made composition tool. Combine two side by side or vertically and you have a simple way to find a strong design option. Try it–you’ll like what it can do for refreshing your tried and true compositions.
Here’s a wonderful example of an analogous color scheme and a great example of camouflage in nature. Analogous colors are those that are found right next to each other on a color wheel, or are very similar in color and tonality such as the leaves and Thomas’ fur. The warm tones of the oak and maple leaves match his burnt sienna-colored fur very well. His darker fur and nose direct your eye toward these areas because they are different tones and color than the rest of the photo–and his face is the real area of interest–as most portraits are. The soft greens at the left side help to bring some variation in the overall color palette yet does not detract from the main area of focus.
There are plenty of examples in nature–and hunters experience this natural camouflage on every outing making it pretty tough to get their prey in the rich textures and colors of the woods. (As an animal lover, I’d rather hunt with a camera.) But I appreciate the challenge of hunting and the skills it takes to be successful. Fishing has the same camouflage effect–every try to find a fish in a stream? The sunlight and shadows as well as ripples all contribute to the complexities of light and form–making it a close to perfect camouflage.
And Thomas, he’s an excellent dog, well-behaved and a very patient model.