Who would have thought a stroll after a nice dinner at the Lobster Pot would have captivated my artistic eye for so long. A quick snapshot taken one hot afternoon in Provincetown, MA has been the catalyst of many of my artworks. As with many other photos I have taken, as soon as one painting is completed I have another idea to improve/change/renovate the next one. So this one, on the advice of Mary Harding curator of the George Marshall Store Gallery in York, Maine, to “paint bigger” here is one of the results. Raking Light Across at 36×36 gave me the space and opportunity to really dig in and work on the layering of color and texture. It was a blast. More to come.
Scouting out a location in a busy city such as Boston can be an intimidating process. The sheer number of possibilities for making a painting can be overwhelming to evaluate. Choosing just the right location–one with a good view, open space for setting up equipment, safe from traffic, animals, and other oddities is not easy. We found this location on a scouting trip taken with my daughter, Katie Trainor, who lives in Boston and works at Francesca’s Coffee Café on Tremont Street, right around the corner from Union Street Park. Perfect. Her knowledge of the area and my preferences was invaluable to selecting this spot. Just enough area to setup, a beautiful spring day at the pocket park, and of course, proximity to a bathroom :). Sidewalk location was just right to allow me to set up and allow neighbors to get by–and chat. A win for all. The Copley Society of Art PaintOut was one week after the Boston bombing at the Marathon so the city was still reeling. Good to know this event and sale of my painting helped a little to add to the Boston Strong fundraising effort.
We artists have so many options open to us as we design a new piece of art. This one is less real and more abstract or is it more abstract than real. Let me explain. I love working with the landscape–New England, Caribbean and beyond– and that does not always mean working directly in front of it–plein air–as it is commonly known. I enjoy the process of interpreting the things that have inspired me and reworking into artworks that speak the language of the landscape but also let my personal interpretations in as well. Let me know your thoughts on this new piece entered in the Modernist Exhibition at the Copley Society of Art in Boston. Let see if it makes the cut. It was inspired by Amadeo de Souza Cardoso, Portuguese, 1877-1918, “The Leap of the Rabbit.” Pieces entered are required to be inspired by a work or artist own at famous The Armory Show in NYC in 1913.
Scouting the Wickford, RI 50th Annual Art Festival last weekend. A good show with many good artists showing including NH artist Dick Fisher and former NH, now Florida artist Jenny Gardner. A very hot muggy day, very tough for the artists–this is such a difficult business. Continue reading →
What a powerful symbol of freedom three colors have become. Even as a bunting and not a flag they still are seen as the American color palette. America will never be a perfect symbol of freedom. But I believe our heart is always in the right place Continue reading →
So here’s how it all begins. A beautiful view from a tropical island accented with a cool rum drink, a fresh sketchbook, well-used color palette, and the thought that this no-holes-barred way of interpreting what is in front of me is about to begin anew. Continue reading →