John Singer Sargent: Boston Strong

John Singer Sargent

I always have good intentions when it comes to visiting a museum exhibiting a blockbuster show. Sometimes I make it before it leaves town, sometimes I kick myself for having been “too this, too that” to attend. Well, I didn’t “too” anything this time and went to the Boston Museum of Fine Arts (MFA) (with my daughter Katie and celebrated her birthday!) and took in the John Singer Sargent watercolors exhibition, which combined the collections of the Brooklyn Museum and MFA.

Because I am a perennial rookie at using public transportation, I prefer to drive my car but only with my new best friend, “Her”, our phone navigator. Love Her. It makes traveling so much less stressful especially in Boston when one day you can slip right down Storrow Drive and wonder where all the people are, and on another day, you’d swear you are sharing the road with everyone who lives in Boston. This past Wednesday’s trip was an easy day. Except the parking part. So after dropping artwork at the Copley Society of Art on Newbury Street for an upcoming show, we headed to the MFA parking garage only to be the first in line when the garage attendant announced the lot was full. Ughh. So around the block we went and finally decided to go to the Prudential Tower and just park there for the afternoon and take the bus back to the MFA. My strong daughter, a veteran of Boston, saved the day.

John Singer Sargent

After a quick lunch at the café, we noticed the piles of people viewing the show moved along at a good pace. Occasionally we’d overhear someone who has probably never picked up a watercolor paintbrush in their life comment on not understanding what the big deal was. Hmm. Let me turn up the volume on my listening device.

Sargent’s use of fast drying layers of intense color with brilliant use of lighter value colors to indicate sunlight and shadows was fantastic to see up close. Sensitive and confidently drawn lines were understated in most works but still demonstrated what a great draftsman he was. He used soft-focused painted edges to add variety to the textures while rendering his artistic interpretation of what the light was doing. The strengths of Sargent’s talent for color, painting, drawing and composing were evident in each piece and I could have surely spent even more time with my nose pressed almost  against the glass of each piece. I’ll be reading through the exhibition book to see if it discusses Sargent’s techniques in depth. As a watercolor painter, I really enjoy reading all the nitty gritty detail as it satisfies my curiosity of how the artist achieved his style.

Boston should be proud of being called home to such a great painter with permanent artworks installed around the city. This was an amazing show worthy of however many modes of transportation it took to be drenched in the sunlight of a true master.

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Fenway Park, Home of Boston Red Sox World Series Winners 2013

My season of being a Red Sox fan began in April, only a week or so after the Boston Bombing by terrorists. I was a bit apprehensive about going to the game but we were determined to not let horrible, emotionless, vile people change how we want to live our lives. We did nothing to deserve this act of war.

Fenway Park, Boston, Massachusetts

Torn from the pages of my sketchbook to celebrate the World Series win by the Boston Red Sox in 2013!

The fans seemed happy to be at the ballpark but the air was heavy with concern for what the future would bring after this horrendous event of terror on innocent people–and especially children– simply enjoying a beautiful spring day watching and cheering their friends and family at the end of the Boston Marathon route. Boston Strong images were everywhere at the Sox game and now seemed to be a precursor for what the season could bring.

The color scheme of this 12×6 piece torn from my sketchbook may seem melancholy–although I did not have this in mind when I drew it. I was exploring the design possibilities of the abstract lines and shapes distinctly found in Fenway. I have done others that have evening lighting and more intense color but I happen to like this reserved version. It is available at the Copley Society of Art on Newbury Street in Boston, MA. www.copleysociety.org

Boston Strong on Union Street

June comparison Union Street 2013Scouting out a location in a busy city such as Boston can be an intimidating process. The sheer number of possibilities for making a painting can be overwhelming to evaluate. Choosing just the right location–one with a good view, open space for setting up equipment, safe from traffic, animals, and other oddities is not easy. We found this location on a scouting trip taken with my daughter, Katie Trainor, who lives  in Boston and works at Francesca’s Coffee Café on Tremont Street, right around the corner from Union Street Park. Perfect. Her knowledge of the area and my preferences was invaluable to selecting this spot. Just enough area to setup, a beautiful spring day at the pocket park, and of course, proximity to a bathroom :). Sidewalk location was just right to allow me to set up and allow neighbors to get by–and chat. A win for all. The Copley Society of Art PaintOut was one week after the Boston bombing at the Marathon so the city was still reeling. Good to know this event and sale of my painting helped a little to add to the Boston Strong fundraising effort.

Coexisting–Plein Air and Studio Air

Autumn Reflected May 2013

 

We artists have so many options open to us as we design a new piece of art. This one is less real and more abstract or is it more abstract than real. Let me explain. I love working with the landscape–New England, Caribbean and beyond– and that does not always mean working directly in front of it–plein air–as it is commonly known. I enjoy the process of interpreting the things that have inspired me and reworking into artworks that speak the language of the landscape but also let my personal interpretations in as well. Let me know your thoughts on this new piece entered in the Modernist Exhibition at the Copley Society of Art in Boston. Let see if it makes the cut. It was inspired by Amadeo de Souza Cardoso, Portuguese, 1877-1918, “The Leap of the Rabbit.” Pieces entered are required to be inspired by a work or artist own at famous The Armory Show in NYC in 1913.

For purchase and/or more information please visit www.anntrainordomingue.com or www.facebook.com/anntrainordomingueart for regular updates. Thanks in advance for sharing my work.

Big city Boston, small town sketch

Photo inspiration meets sketch

Photo inspiration meets sketch


How an inspiration turns into an artwork is not always a straight line. Nor does it come straight from a photo. In this case, a quick shot included enough information to work out a sketch full of character rather than fully-rendered details.