My season of being a Red Sox fan began in April, only a week or so after the Boston Bombing by terrorists. I was a bit apprehensive about going to the game but we were determined to not let horrible, emotionless, vile people change how we want to live our lives. We did nothing to deserve this act of war.
Torn from the pages of my sketchbook to celebrate the World Series win by the Boston Red Sox in 2013!
The fans seemed happy to be at the ballpark but the air was heavy with concern for what the future would bring after this horrendous event of terror on innocent people–and especially children– simply enjoying a beautiful spring day watching and cheering their friends and family at the end of the Boston Marathon route. Boston Strong images were everywhere at the Sox game and now seemed to be a precursor for what the season could bring.
The color scheme of this 12×6 piece torn from my sketchbook may seem melancholy–although I did not have this in mind when I drew it. I was exploring the design possibilities of the abstract lines and shapes distinctly found in Fenway. I have done others that have evening lighting and more intense color but I happen to like this reserved version. It is available at the Copley Society of Art on Newbury Street in Boston, MA. www.copleysociety.org
Sketch-crawl-sort of like bar-hopping without the beer but with a pen. Here is a an example of something I find fun to do–other artists are frightened by the notion of sketching people in action in public–I’ve been there, too, I have to admit. But I love the freshness of the results–even the inexact faces and body motions that I continue to give it a try. These vignettes were done directly from life as I wandered around the fairgrounds at the League of NH Craftsmen Fair in Newbury, New Hampshire on August 8th, 2013. The place was bustling with artistic activity and visitors watching with great interest as the craftspeople demonstrated their art. Very inspiring. I moved quickly from location to location and in an hour had enough vignettes on the page to begin the process of painting.
(Note: The NH Art Association (NHAA) and League of NH Craftsmen committees decided to end the many year association with the NHAA. No longer is the tent filled with original artwork and photographs a part of the Fair experience. We had so many people come up to us when we were demonstrating for the day to ask us “Where are the artists? Where are the paintings? I came here specifically to see that part of the show.” Wow. There were some very disappointed people sad to say. We lost count after 50–and it was only the early afternoon, of one day. Hope NHAA and the League will rethink their decision–there are many of us artists who were counting on participating and obviously the Fair had more of a following than it thought.) Please contact either organization if you’d like to see the artists back at Sunapee. Thank you. firstname.lastname@example.org email@example.com
Scouting out a location in a busy city such as Boston can be an intimidating process. The sheer number of possibilities for making a painting can be overwhelming to evaluate. Choosing just the right location–one with a good view, open space for setting up equipment, safe from traffic, animals, and other oddities is not easy. We found this location on a scouting trip taken with my daughter, Katie Trainor, who lives in Boston and works at Francesca’s Coffee Café on Tremont Street, right around the corner from Union Street Park. Perfect. Her knowledge of the area and my preferences was invaluable to selecting this spot. Just enough area to setup, a beautiful spring day at the pocket park, and of course, proximity to a bathroom :). Sidewalk location was just right to allow me to set up and allow neighbors to get by–and chat. A win for all. The Copley Society of Art PaintOut was one week after the Boston bombing at the Marathon so the city was still reeling. Good to know this event and sale of my painting helped a little to add to the Boston Strong fundraising effort.
One photo or one sketch is not the inspiration for only one work of art. Depending on what kind of information is retained, noted, or memorized will determine how an artist uses that reference for final art. Even then the artist might completely disregard those notes because over time, similar to simmering a delicious Italian red sauce, other ideas and influencers take their place in your mind, eye and heart and drive you in a new direction. Though the sketch above was done in 2010, my new painting in 2013 looks nothing likes other earlier attempts of years past, but I believe it is a better result. Please Like my Facebook page at www.facebook.com/anntrainordomingueart and signup to receive my newsletter at www.anntrainordomingue.com
MacMillan Wharf, Cape Cod fishing boat slowly cruising home
From snapshot, to sketch, to final painting–here’s a sample of how I create my paintings. Not all happen this way but this is a process I find captures an inspiration, allows me to mull over the possibilites and then sketch options and try out with various media. Exploring without knowing my end goal is my idea of great fun while creating each artwork. Visit my website to see more www.anntrainordomingue.com or email me at firstname.lastname@example.org to receive my newsletter.
This is what I saw when arriving at the Phoenix Hill Farm on a gorgeous fall day here in New Hampshire. The textures, color, building forms, wildlife, compositional possibilities stared me in the face as I roamed the property to find a spot to settle down to begin the process of Continue reading →
I am excited to be part of this inspiring workshop to be held in September 2012. Registration is now ongoing for The Beauty of Light– Plein Air Workshop on Cape Cod.
Looking for a workshop that will challenge your current working approach in watercolor, add energy, and try new techniques under experienced helpful eyes? Try my “Catch of the Day” plein air watercolor session–a very different working approach than working in your studio.
Or are you interested in learning techniques to capture the essence of a scene, using line, color washes and inspiring notes, try my “Sketching on the Run” workshop session for any level artist working in any medium.